A Case Study for Tito Rovner's Second Personal Project
The first three months of production consisted of experimenting with instruments and composing new soundscapes and ambiances.
The month of march was set aside to adding finishing touches and extra layers of sonic experimentation to reach a studio level sound quality
Alongside the expertise of my colleague Dillon Harger, the audio files were run through mastering softwares and prepped for release.
Through my personal experience, and observation of my peers, I've found music and sound design to conduct sensations and emotions so eloquently that, at times, seem to be inherent to the individual.
This deep intimacy I saw rooted in music inspired me to create a soundscape that envelops the listener in a whirlwind of unique sonic expressions, in hopes of unlocking that intrinsic emotional response.